Category: EoS

  • Monday Thoughts and Other Problems

    Monday Thoughts and Other Problems

    First day of work after Daylight Saving Time this year. I’m a bit groggy with this form of jet lag, and for the first time in a month, I had to use my phone flashlight to navigate the field to get to work. I’m not complaining, though. I did manage to get this shot:

    Not perfect, but that’s Mondays for you

    Moody, mildly unfocused, but still, not bad.

    I’m not one to get political about DST, and the change we must make twice a year. I know there are those that do, and I’ll let them waste their energy on it. I live with it, and adjust with minor complaints when it happens.

    I haven’t worked on my websites in a couple weeks. My creative juices are moving a bit like jam. Writing this is one way I’m trying to jump start my brain, but I’m afraid it’ll just be a disjointed ramble. Another Monday, I guess.

    But, of course, I’ll be posting this on Tuesday, which must fall under the titular “…Other Problems”, right? But these thoughts are genuinely from Monday, so I’ll keep the title. (Besides, working up the banner picture was a lot of work, not sure I have the bandwidth to do it again for Tuesday.)

    Speaking of bandwidth, I have mentioned my new job has given me more creative options freedom that any in my past, so what’s the current blockage? I think it’s that I have several orders coming in.

    I now have a positive balance in my bank, and along with paying down bills, I decided to get a few things to replace things that have been lost along the way. Books, mostly, I love the Harry Dresden books, and stopped reading around book 11, and it was mainly because I just couldn’t spare the money to keep going.

    I got most of them from Half Priced Books. (I did say it’s a positive balance, but it’s not unlimited.) I used to live in Texas, and there was a HPB in my town, and I loved that place.

    But where I live now, I have to order it online and get it shipped. With shipping it’s not quite the deal it was when I could just go in, but it’s still not bad. Plus, ordering online means you see all the stock from all their stores, not just the one you’re wandering in.

    This last order was 6 books, and not one of them came from the same store. One from Texas, one from Seattle, there was another from Nebraska and more. They have quite a robust network these days!

    With all these things coming in, I felt an unusual tension inside me. That “other shoe” feeling you get when you just don’t trust things to go well.

    Maybe there’s no reason for things to go wrong, but I grew up thinking I was born just 1% more unlucky than everyone else. If I do everything right, follow every step with precision, it still might fail.

    So, things just waiting to arrive took up some bandwidth on my brain. It’s why I took an extra day to write a Monday post. It’s almost why I put this off yet another day. (But then, I’d have to rewrite, and that’s such a bother.)

    I hope that’s all it is. Everything is due to arrive this week, so if I’m right, I should be back to full power this coming weekend. If that’s not it, well, I’m just going to have to bull through.

    I’ve given myself responsibilities, and I’m going to take that seriously. 5 websites, though one is an aggregator, but that one still needs tweaking till I’m happy with it.

    This one, Jindai.us is the easiest, it’s up a running WordPress and that’s about as turnkey as you could ask for. Even though the app is funky as heck, I know its limitations and can work with them to write up this post and publish it.

    The others, though are not that easy. Astro builds, or netlify custom jobs that take more work to launch and maintain. The jukebox site is still in data build mode, and the memoir is needing far more entries, (I have like 25 articles waiting to be written, and unlike my normal habits, I have notes and rough outlines for them.) The podcast is still in the works, and the site is almost ready for prime time. (Don’t get me started on Dead podcasts. It’s a great idea, but oy, the scripts aren’t written!)

    I just need to get out of this funk. I have no reason to just be consuming tv shows when I want to get my creative out.

    Maybe that’s all this post is, clearing a little space in my head so I can get moving again.

    After all, even a slightly blurry moon on a groggy Monday morning still looked pretty good, to these Tuesday-night eyes.

  • Big Publishing Deleted My Cork

    Big Publishing Deleted My Cork

    I spent 9th grade in a boarding school in Beaverdam, Wisconsin. I had gotten straight As in 8th grade by the very unpopular method of acing all my tests and turning in all homework. This turned the grading curve most kids counted on into a straight line, and several of my classmates resented their resultant summer school assignments and put their ire on me directly. I had not been trying to ruin their lives. I was just trying to prove to my mother that I could do what she wanted me to do that year. (In 7th grade I received a couple of Bs, and she had disappointed-mom-face all that summer).

    It’s not like they had been nice to me all year, anyway. I was bumped into regularly, stuffed in my locker once, and tripped so many times I actually became quite adept at staying upright with my feet swept out from under me. But after final grades were handed out, I received death threats. Not the assassin-grade moody speeches about the how or when, just the angry teenage “If I see you again, I’m gonna kill you” kind of thing. But that was said in front of a teacher, which meant they were taken to the office, and my mother was called.

    So I spent that summer looking through Boy’s Life magazine classifieds for a different school. There were military academies, boys-only schools, but I found Wayland Academy in there. Those As had a much different effect with that school than my previous one. They offered me a scholarship.

    That school was a prep school in the grand tradition. It operated much like a college, preparing students socially as well as academically. You didn’t fill every hour with a class. As a scholarship recipient, I was automatically in the Honors program, so I had five classes to schedule in the seven-hour day. Halfway through the first semester, I dropped my bio class. It was just too much on my plate. I went down to four classes but had to attend a study session in the time block biology had occupied.

    In the study session, I had to be doing something “productive” in regard to school. So yo-yo was not allowed, or hacky sack, or even banjo practice. I could study with textbooks or library books, do homework, or even write letters home. After a few days, I discovered that I could also just read a book of just about any type if I wanted.

    I’m not sure how I ended up with Dune, by Frank Herbert. It might have been my roommates, or some girl I knew (meaning I had a crush on her) who said something about it, or even a teacher who recommended it. But that was the book I chose to read then. A massive paperback book with an orangey binding and what looked like a picture of a sun rising halfway over the horizon, a cliff, and folks dwarfed by the cliff, all in white.

    The sun, the cliff, the folks in white. I had no idea what I was getting into.

    This was not a book a 14-year-old should be starting his science fiction journey with. It’s huge, like 400-plus pages, a good 50 of which were a glossary explaining all the terms used in the book, and it was so very confusing. I was turning to the glossary every single page, sometimes multiple times on the same page, and it took me months to finish it.

    That could have turned me off science fiction forever, but it didn’t. That world was so rich and so well described that it lived inside me and made me seek out other stories that could evoke that immersion again.

    I didn’t move on through the series very far. In 1980, there were three novels in the series that I knew of.

    I did read Dune Messiah, but it was beginning to pall on me. All the politics, backstabbing, poisoning. It was just too heavy. I think that’s when I decided I disliked anything to do with politics, and since those books were so full of it, it was easy to put them down and move on.

    Years later, I had decided to get back into them. The new movie version of Dune had been announced, and it brought back good memories of those early days with that novel. So I looked into it and was amazed at how deep that bench had gotten. Frank himself wrote two more novels. Then his son, Brian Herbert, took up the mantle and teamed up with Kevin J. Anderson and wrote a lot more, prequels and sequels.

    I had thought, “Hey, I could start with the prequels, and that’d be fun.” But I’m a traditional kind of guy with book series, so I decided to start with the original again, both to reacquaint myself with the world and to see if I could survive reading it without constantly referring to the glossary. (I couldn’t.)

    But something nagged me in the reread. Where was the heart plug, or cork as my brain keeps calling it, thing? Baron Harkonnen had these things installed in all his staff, his nephews, and even himself to control them and bind their loyalty in a very visceral way. (Why he did it to himself, I can only assume it was to convince them it was an “all of us” thing.) But I didn’t see it.

    I read the book a third time, this time focused on that missing detail, and did not find it. I was perplexed. Did Frank face enough feedback that he excised it from his book after decades? Did I find an early edition, by happenstance, that had the cork, and all versions after that were edited without it? I got several versions of the book from various sources. They were thinner than the one I held in memory, barely 350 pages in one of them. But none of them said “condensed” or “edited” or anything like that. Yet still, nothing about a heart cork.

    What occurred to me is that the media landscape had changed a lot since I was a kid.

    Way back, I had loved Star Wars, long before “A New Hope” was tacked on. So much that I saw it seven and a half times in the theater when it came out. (The half time was when I was convinced to take a neighbor kid along with the very parent-reasonable argument of “You can go again if you take Scottie along,” but this kid had to use the bathroom a lot, so I missed, easily, half the movie.) Soon after that, I was haranguing my small-town bookstore for more of “From The Adventures of Luke Skywalker,” which was a subtitle in the novelization.

    This guy was game, and he used his sources to order what he could find. Turns out it was just several more copies of that same book. One was a hardcover with a golden dust jacket, and I did buy that because why not. But there weren’t any more in those “adventures.” That was basically a promise, not a historical archive notice.

    Then things changed. On the Death Star, the captain shouting at the Stormtroopers inspecting the Millennium Falcon after it had been captured said, “THX-1138, why aren’t you at your post?” (Or at least that’s how I remember it. It might have been the novelization infecting the movie in my head.) But when we upgraded to the DVD, I heard “TK-421, why aren’t you at your post?” and my brain broke. Plus now Greedo shot first. Heresy!

    In E.T. the Extra-Terrestrial the government agents who had guns now had walkie-talkies, and then later went back to guns. Digital technology allowed directors to ignore that old adage that you had to release your babies eventually. Now they could basically gene-edit a teenager between theatrical release and home release, or from one format to another.

    And this happened in books too. I had basically devoured The Chronicles of Thomas Covenant the Unbeliever and moved on to The Second Chronicles of Thomas Covenant. In an author’s note, Stephen R. Donaldson said there was a story about Seahome his editors had made him remove before publishing it, but that he would include it in Daughter of Regals & Other Stories.

    I then learned how very useful editors can be. I’m sorry, Stephen, but they were right. That story would have pulled focus, slowed everything down, and taken several chapters to get a reader back.

    He got his revenge, though. His success with the first Chronicles made him able to get whatever he wanted in the Second, but that sucker dragged. Just sayin’.

    And the new digital landscape allows books to be edited basically on the fly. I have one that I read through, a reference book about Moonlighting, and when I opened it recently there was new content. That’s only one example I know of for sure, but I had suspected it was happening for years and never really could verify it.

    So, in my head, folks could now kill their darlings after they published them. Historical volumes change between editions all the time. Fiction could too. Only they don’t stamp “Revised” on the cover. They bury it in printing numbers that look like a secret code.

    So obviously Big Publishing had edited Dune and took that uber-gross cork out of it, changing whole swaths of text and all references to something more benign. Yeah, that made more sense than I was wrong, right?

    But I’m nothing if not thorough, so I looked on the internet. Google searches, Reddit threads, Yahoo Answers, everything. And you know what I found? Not a single whisper that there was editing shenanigans with Dune. And my brain could not contain for long the thought that there was a massive conspiracy to keep such an edit secret.

    But it still was firmly in my memory. I was sure I had read it. So I interrogated my memory more thoroughly and you know what I discovered? I could picture the corks completely. Like the old rubber stoppers for bathtubs: sloping sides, a rim ring, a looped hole in the top where you ran a chain through. But I could not, for the life of me, think of the text that gave me such a clear image.

    So I googled some more and guess what I found? There was this movie from 1984, Dune, directed by David Lynch, and I can assure you I saw it when it came out. I can also assure you that I have very little memory of watching it. I can’t even say I thought it was odd or not Frank’s vision, though that seems to be the popular view of it.

    But that version was full of body horror, long before that became a genre of its own. And one of those concepts was the heart plug, or cork, and though my memory told me that was how the Baron died, his own cork getting pulled out, that was not true. An underling is killed by the Baron, and there is a deleted scene where Thufir Hawat pulls out his own.

    I guess what I had done is read a book at fourteen, then saw the movie a few years later, and mixed them into a single memory locker. Not exactly conflating, but close. I just attributed the cork as if it had been written there and then chased the facts into a different reality. I guess I did the same thing in reverse with the Star Wars memory.

    Yes, immediate editing is a fact. People can edit things now in ways that go beyond the old model of fire and forget. I don’t think it’s always justified, but it’s not always bad. One of the movies I own digitally had features added long after I bought it: a new trailer for a sequel and a behind-the-scenes feature for that new movie. So not really a content addition, but not offensive either.

    It’s kind of my thing now to have the digital copies and the physical media as well. One provides easy access and maybe extra content sometimes, and the other provides archival status. (Seriously, did you know the DVD of Barb Wire has a strip scene with Pamela Anderson that is not in the digital version or the Blu-ray? I have all three now.)

    And now it’s not a roadblock in my head. I can read Dune and the rest of the oeuvre without the cork that never was. I just have to face the dense story structure and all those glossary references.

  • The Terminal Became the AI No One Is Afraid Of

    The Terminal Became the AI No One Is Afraid Of

    Terminal Can Kill Your Machine

    ChatGPT Can Kill Your Calm

    Have you ever thought about Terminal, that little black window you can launch IN Windows that brings up a simulacrum of the old DOS? It looks like DOS, but it isn’t. It’s just a little CLI, that’s Command Line Instructions, that you can make tweaks and changes by typing, not clicking.

    When it was first introduced, way back in Windows 3, it was the main tool for changes, because windows was just a body, laying on top of DOS, the engine. But to install software, you still needed physical media, software you walked into a store to buy. I even remember packages that didn’t install when you inserted the disk. You couldn’t just open a folder and click “setup.” You had to open the command window and run it yourself. Windows installation disks were like that too, if you wanted to upgrade to 3.1 or 3.11, you typed your way forward.

    This was true for a while. Windows 95, 98, even ME (ick) were on top of DOS, and you booted from command line, even then. And this was at the dawning of the internet. So the software did not communicate with anyone or anything else, to install. You had your disks, and a verification code, sometimes.

    Then, NT came out. It was for serious geeks, well business, really but geeks do what geeks do. I’m a geek, for sure, but I didn’t install it. My live-in girlfriend did, and I got to hear a symphony of curses from her, so that was what stopped me from doing that (I also skipped ME. I mean, I did install it, hated it like crazy and figured out how to roll back to 98 for a while.)

    Then Windows 2000. Not DOS based. It was NT for everyone, not just business and serious nerds.

    And boy were there growing pains. People mostly accepted it. (To me that always felt more like a testament to how reviled ME was, but I’m biased.)

    DOS as the engine was gone. But the command prompt wasn’t. It looked like DOS. It ran like DOS. But it wasn’t DOS.

    You didn’t have to install software through it anymore. You could, but most of the time you just ran setup from inside Windows and moved on. If you were a casual user without nostalgia for the good old days, you never even had to open the command prompt.

    Well. Unless you called Tech Support.

    Then you very likely had to open it, as instructed, and type things. And you might have gone, “Hey… that’s DOS.”

    Windows 2000 wasn’t the best release. It felt like a beta, shipped early. But they made up for it fast. XP arrived in 2001, and it was so much better.

    Still, if you called Technical Support for almost anything beyond “is it plugged in,” you ended up back in the command prompt.

    By then the internet was getting strong. Windows introduced something new. Remote Assistance.

    That tool was both cool and wacky. You’re on the phone with support. He asks if he can dial into your system to fix things.

    “Uh, sure.”

    You enable it.

    And suddenly things are moving without you touching anything. The pointer slides to Start. A command window opens.

    And you’re staring at it thinking, “Uh… that’s DOS?”

    Well. I was. And did.

    That was kind of odd, to be mild, here. Things moving with your permission, but not your direction. Someone else was making your decisions for you. Some just surrendered, others rebelled, I tried to figure out how it worked.

    I started thinking about getting into Tech Support myself, but buried that thought. (I was in school for Musical Theater and was doing my best to suppress my nerdy character.) Remote Assistant was not perfect, but it was cool.

    Then after a long, successful run, XP made way for Windows Vista, and no one rejoiced. Buggy. Silly. Layered with so many unasked-for security features, it felt like you were a parent trying to change a diaper armed with bulletproof armor and triple locks, when you were just trying to get the baby to stop crying.

    I think the command line was still there. I won’t swear to it. I skipped Vista entirely and went straight to 7.

    When Windows 7 arrived, people did rejoice. XP was getting creaky, and no one who wanted to stay sane stuck with Vista.

    And cmd.exe was still there. Still utilitarian. Still that black window. But by then, fewer people wondered if it was DOS anymore. It was more, “What’s DOS again?” when some tech support guy said that’s what it looked like.

    Terminal showed up in Windows 11. It did not replace Command Prompt, it just wrapped it in something prettier. cmd.exe was still there. PowerShell was still there. It was still a utilitarian tool baked into the system. It still looked like DOS, even if no one remembered it. DOS stood for Disk Operating System, for the record. Never forget your first love. Unless you specifically called a protocol like ftp or ping, it did nothing Internet-wise on its own.

    Then, LittleLimp, I mean Microsoft developers started cheating. They were married to Microsoft, but their mistresses were all Linux. They built their home servers with Ubuntu or Red Hat. They learned what broadband could really do for a system. You didn’t need a full, bloated install to run a server. You just needed the right files for the job. No fluff. No bloat.

    GitHub became the library for this new way of working. You didn’t buy software on disks anymore. You pulled it from repositories. You ran a command like npm install and it fetched what it needed.

    And those developers talked. In offices. In cars. On forums. The Red Bull years. They became managers and architects, and they remembered what worked.

    Terminal itself didn’t get smarter. The commands did. Now you can run npm run build and generate an entire website from text. You can install a framework with one line. And you don’t really know what it’s doing under the hood.

    That was what it was designed to do, and it did it well. It reached out. If the first place was down, it tried a second. Or a third. Or a fourth. Until it got what it needed.

    I don’t imagine the boardrooms were thinking about any of that. They were thinking about profit margins and stock prices. The people who cared about the nuts and bolts were the developers. The same ones who once fought Linux like it was a rival school mascot. At some point they stopped fighting it. Or maybe they just admitted it worked. The world had gone broadband. Servers were lean. Open source wasn’t some basement hobby anymore.

    So instead of resisting it, they folded it in. And terminal connectivity stopped feeling like a loophole and started feeling normal.

    Terminal became powerful. It did things Windows Assistance would have cowered at. It installed packages and services you thought you understood, but honestly just trusted. If GitHub were not the trusted source it became, terminal land could be a very scary place.

    And no one panicked.

    Terminal does not think for itself. It does what you ask. Even if you don’t understand more than what you want, it executes your instruction. That is a nailed-down definition of most of what we currently brand as AI.

    Let’s be clear. Current AI has the same branding problem as 5G. 5G was not some radical fifth generation leap. It was marketing. Same here. If you close the app, it doesn’t sulk. It doesn’t stew. It doesn’t compose a witty comeback for when you reopen it. It does nothing until you ask.

    It’s not Artificial Intelligence the way Haley Joel Osment portrayed it in A.I. Artificial Intelligence, directed by Steven Spielberg. It’s an engine built from an enormous amount of data. You give it input. It gives you output.

    Frankly, terminal is stricter. It never hallucinates. It throws errors. It tells you what went wrong. It demands you understand the language it speaks. It does not pretend to be conversational.

    And yet we fear the thing that speaks English, not the thing that can wipe a drive.

    I think it comes down to this. You type into Terminal. It responds with hard text. Blunt. Informative, if you know how to read it. It is not trying to teach you. It is not trying to comfort you. It just is.

    You speak with AI, and it speaks back. In full sentences. With grammar. With punctuation. Sometimes even with tone. If you let it be eerie, it can feel eerie.

    And it can be wrong.

    Once, when I let my guard down, ChatGPT wrote that my mother met my father at a college neither of them ever attended. I blew my stack. I had to lay down rules. I’m the writer. You’re the copy editor. Period. You fact-check what is not my family history. That’s it. Firm rules make the happy.

  • How I’m doing What I’m Doing

    How I’m doing What I’m Doing

    I know a lot of people will not like this, but I happen to use ChatGPT quite a lot lately. I live alone, and I am way behind on so many ideas and thoughts that I need some way to keep myself organized. ChatGPT has been a very useful tool for that purpose.

    But there are trade-offs.

    I have to be very strict with it. I don’t let it rewrite my text, and I certainly don’t let it start adding em dashes everywhere. I am the creative. It is basically my copy editor.

    I’ve found other limitations. For example, I scanned about 90 pages of documents into a single PDF, but when I upload it into the app, only about 20 pages are accessible at a time. If I want the entire document examined, I have to split the PDF into smaller segments.

    Another limitation is memory. OpenAI limits what it retains across sessions. From chat to chat, there is no deep memory unless you explicitly tell it to remember something. And even then, sometimes it retrieves what it needs and sometimes it doesn’t, so you have to remind it.

    It cannot listen to music. If I compose something or assemble a track, it cannot evaluate it. And if I generate an image, the best method is to let it create the base image and then add any text myself, because image generation tools are still notoriously bad at rendering clean, readable text.

    Another thing — whether it’s a bug or a feature — is that it’s not great at motivating you. It is very positive-minded. If you say you did something halfway, it will point out the upside. For example, I did my laundry but didn’t hang up all my shirts. I left them in an orderly pile and just pull from the top. It reframed that as intentional and practical. Which is nice.

    But it won’t nag you.

    If I say I’m going to make ice cream, it will give me a great recipe and encourage me. If I close the app and never bring it up again, it will not ask me next week whether I made the ice cream or the Philly cheesesteaks or anything else I consulted it about. That’s the good part. But it’s also not awesome, because sometimes I need prodding.

    There are other apps I see ads for all the time — little productivity companions that help you get organized and clean your place. I don’t even know their names. I haven’t downloaded them. I don’t want to pay for something to nag me to get things done.

    So yes, ChatGPT will not nag you.

    But that’s also a good thing, isn’t it?

    Right now I am working on several online projects.

    I have my main blog, which is where this is being posted. I have a music site where I am attempting to log all the songs from the TV show Cold Case with time cues and screen caps. Right now we are in the middle of building the database because I want the database to be solid and correct before publishing the polished version.

    Then there’s my memoir site, MyLifeAsAWorkOfFiction.com. That one is structurally complicated. I have to make it function the way I want it to function, and I also have to actually add stories, because a memoir site without memoirs is just a… site. I have pretty animation, but that’s about it so far.

    And then there’s a podcast idea I’ve been working on for several months. There’s a website. There’s a concept. I’m working out the technical details, including getting my co-host integrated and scheduling time to make it happen. That site has to be built completely from the ground up.

    I’m using ChatGPT to help with all of this.

    But I work in bursts — no more than two or three hours at a time. After that, hallucinations creep in, and you cannot afford hallucinations in code. I can detect it if it changes my text. I can’t always detect it if it changes logic in code. I’m getting better, but I’m not there yet.

    So I’ve developed a tactic.

    If it starts slowing down or responses get sloppy, I know a refresh is needed. I ask it to generate a reset prompt that includes all the rules we’ve established, the topics we’re discussing, and the necessary details. Then I copy that prompt, open a new chat window, paste it in, and continue from there. So far, that system has worked well.

    I don’t really know what the point of this post is. Maybe I just wanted to admit that I need help, and this is the help I’m using.

    I’m not stealing work from anyone. There isn’t anyone in my life who could realistically do most of this work anyway. I don’t find it evil. I find it fallible, and I’ve learned how to minimize the effects of that fallibility.

    Soon, I hope my sites will be up and running and I can shift into maintenance or creative mode instead of constant structural building. There’s no guarantee of that timeline.

    But this is how I’m doing what I’m doing.

  • I Think ChatGPT Might Qualify for an ADHD Evaluation (And What That Says About Me)

    I Think ChatGPT Might Qualify for an ADHD Evaluation (And What That Says About Me)

    If ChatGPT were a coworker and we were sitting across from each other in a conference room, working through one of my projects, and there happened to be an HR rep in the corner who also held a behavioral psych doctorate, I imagine they’d be very quietly checking boxes on an ADHD assessment form. For both of us.

    Not because either of us can’t think. Quite the opposite. Because the conversation would keep doing this strange dance where I’d try to steer toward the big picture, the structure of the site, the emotional arc of what I’m building, even the point, and ChatGPT would suddenly become deeply invested in one rule, one file, one microscopic technical detail. And I’d be leaning forward saying, “Yes, that matters, but not right now,” while also realizing that, as a kid, I was the one who needed someone else to say that to me.

    The reason I recognize this pattern isn’t theoretical. I’ve lived inside it.

    When I was young, they called it ADD. I don’t remember when the H got added or whether the terminology just shifted over time, but I do remember this being explained to me. Adults were always trying to describe my own mind back to me like it was a machine I happened to be operating without the manual. Most of them just didn’t get it. I lived in my own brain, and even though I didn’t have the vocabulary to explain it to anyone, or even to myself, I knew BS when I heard it.

    One doctor, though, and you’ll see why he’s memorable, held up his finger between us like it was a diagram. He tapped the first knuckle and said, “This is where most people’s energy lives.” Then the next knuckle. “This is what caffeine does to them. It brings them up a level.” Then he pointed to the very tip. “This is about as much as the human brain can handle.” Then he looked at me and said, “You already live up here.”

    According to him, caffeine didn’t wake me up. It pushed me past the peak. My brain, unable to stay that activated, slid down the other side into something that looked like calm. I don’t know how neurologically precise that explanation was, but the image stuck. My mind not sitting where other people’s did. Too much signal. A lot of noise. Definitely not enough control.

    I was, and still am, very good at coming up with ideas and building the framework for them. But when I was young, and didn’t yet have any tools to manage myself, the pattern was predictable. I would start something. That would spark a new idea, so I’d start that. Which would spark another idea, and I’d start that too. Each beginning felt important, urgent, alive. Meanwhile, nothing was getting finished.

    That was the real issue. I wasn’t short on ideas. I was short on landing gear.

    Fortunately, I’m also quite smart, so learning in school came easily to me. A teacher would present an idea and I’d absorb it. I rarely had to study, which felt like an advantage at the time. It turned out to be a problem later, especially in college.

    In college, and without any professional guidance, because I never met another doctor like the one I saw when I was seven, I had to figure things out on my own. What I learned was that if I paired a secondary interest with the primary task, I could hold my attention long enough to get through it.

    In Literature 201, for example, there was a very pretty girl who asked if I wanted to study with her in the poetry section of the course. Well, I like pretty girls. She seemed sweet, so I did my best to study with her. I was on my best behavior, believe me. In the process, I learned poetry better than I ever would have otherwise.

    As it turned out, she had a boyfriend, of course. But we both got A’s on the midterm, so all was well.

    Pairing attention with interest became a recurring strategy. Sometimes that interest was academic. Sometimes… less so. But the principle was the same: give my brain a reason to stay.

    I didn’t know it at the time, but I was reverse-engineering my own attention system. No one handed me a plan. No therapist walked me through executive function strategies. I just knew that if I waited around for focus to show up on its own, nothing important was going to get finished. So I started building ways to hold myself in place.

    It wasn’t elegant. It was practical. I learned to break work into pieces small enough that my brain wouldn’t bolt. I learned to give myself reasons to stay, whether that was a person, a deadline (deadlines were particularly challenging), or the simple satisfaction of checking something off a list. I learned that starting was easy, but finishing was an act of will, and sometimes an act of trickery.

    Focus, for me, wasn’t a switch. It was scaffolding.

    Over time, what people thought was “natural concentration” was really construction. Habits stacked on habits. Rules I made for myself because no one else was going to sit over my shoulder and say, “Stay here. This is the point.” I had to become that voice.

    Later in life, another label entered the picture. A therapist seeing me for reasons I’m not going into described it as obsessive-compulsive personality traits, and he was careful about the wording. Personality, not disorder. A style of operating, not something broken. Not the intrusive-thought kind people usually think of, but the kind that turns lists into lifelines and unfinished tasks into mental static. If my early years were defined by ideas without landing gear, this was the phase where landing gear became non-negotiable. Structure and completion weren’t preferences. They were how I kept the wheels on.

    It wasn’t about neatness or perfection. It was about control. About making sure things actually got done. Hyperfocus stopped being something I stumbled into and became something I relied on. The structure I had built out of necessity turned into the framework that held everything together.

    AI came into my life at a time when I didn’t have the kind of human collaborators who matched my vision, my intensity, or my desire to work on the kinds of projects I was building. Out of a mix of curiosity and a little desperation, I started using ChatGPT. It was a completely different form of intelligence.

    But working with it, I began noticing striking similarities to my own history.

    I recently started a job that leaves a lot of room for creative thoughts to percolate. The work is routine but detailed, and that combination is strangely freeing. My hands are busy, my mind is lightly engaged, and the creative side of me doesn’t get drowned out by noise. It just builds pressure quietly until something wants to come out.

    My primary website, the one you’re reading right now, had been down for some time for a variety of reasons. A project that used to be part of this site, but is now a standalone, also needed attention. At the same time, all those percolating thoughts from work started turning into actual ideas. A page for a dead podcast archive. A music site. Other projects that wanted space to exist. The ideas weren’t the problem. They never were.

    What I needed was a way to express them. A way to move from thinking to building without losing momentum somewhere in the middle.

    Because, and let me be clear, I don’t think all of my ideas are genius or miraculous or a wonder to behold. But after a couple of years of pure stress living, I had so few of them that the ones that did come felt worth holding onto. I wanted to make sure they were recorded. Then I could sort through them later and decide what was actually good.

    Lacking friends to talk things through with, and without much of a support structure around me, I leaned into the self-sufficiency I’d gotten used to, drawbacks and all. When a free trial of ChatGPT came along, I took advantage of it. That’s when I started pitching ideas.

    What surprised me most was what it could actually do. At first, it praised almost everything I brought to it. That made me suspicious. So I tested it with a deliberately bad idea, something I knew was weak. It still found something positive in it. That made me stop and think.

    So, of course, I brought up my main site, this one, and how bad actors had infected it, installed a back door, and left it in a state I didn’t have the skills or tools to fully clean myself. My hosting company never really listened when I tried to explain what needed to be done. Maybe they could have fixed it, but I didn’t have the database knowledge, the software, or the confidence to push it through on my own.

    I laid all of that out.

    ChatGPT said, “Upload the file.”

    I uploaded the file. It was just a simple SQL file, but it held something much bigger to me. All the words, comments, and responses I cared about were in there. I just needed to know if they were still safe.

    ChatGPT said it could see them.

    And then it drifted.

    It started responding, but not to what I had actually asked. The thread slipped. That’s something I’ve learned about working with these models. In an effort to avoid hallucinating or making unsupported assumptions, they reset their context in subtle ways. They don’t announce it. You just notice the focus shift. So I learned, through trial and error, that sometimes you just have to remind them where the conversation began.

    I’d love to say that, in that moment, it felt familiar. That I recognized the pattern right away. But honestly, I was just frustrated. So I reminded it what I needed. There should be two logins in that file. One tied to my email address, and another that absolutely should not be there. Could it clean that?

    It thought for a minute. Kind of funny, really. It actually shows you that it’s thinking, even tells you how long sometimes. There’s a little “stop” button, like you might want to hurry it along. I never click it. Despite years, even decades, of ADD, I do have patience.

    And then it answered. In its rather cheerful tone, which I somehow read as even more excited than usual, it said yes, it could clean that out for me. Absolutely.

    That’s when I really started gaining confidence that this thing could help me. That it was a useful tool. Not some miracle machine that would make all my dreams come true, but something practical. Something I could actually work with.

    For the first time in a long while, I felt like I had a partner.

    So I took the cleaned file, put it back on my site, and launched. And it worked.

    Then I asked it for an image, something based on everything it had learned from our discussions. Not just the technical stuff, but the tone, the themes, even the name I chose for the site, Jindai’s Jumbled Joint. That had to factor into it. I let it decide what might fit best. The image you see at the top of my site is the one it generated. And it’s damn near perfect.

    The only tweak I’m still chasing is movement. I want that lava lamp to flow, to feel alive. Still working on that. AI image generation can’t quite do depth and motion the way I want yet, and the video tools I’ve tried haven’t nailed it either. But I’ll get there.

    I have more confidence now than I have in a long time.

    Then I started thinking about, and talking to it about, my memoir site, MyLifeAsAWorkOfFiction.com. That project is a much more serious technical challenge. WordPress just can’t handle the kind of structure and artistry that site demands. It has to be built in a different way.

    When I described what I had tried years ago, and how frustrated I’d been when I first launched it nearly a decade ago, it told me something I didn’t expect to hear. My frustration had been justified. The tools I needed just weren’t really available to someone like me back then. But they exist now.

    So we started talking about how to bring that site to life.

    And that’s when I started noticing things.

    These discussions went on for days. I skipped TV shows I meant to watch, podcasts I usually listened to. I just needed to talk through this site and how to bring it to life, to listen to the responses and see what made sense.

    And over those days, I started noticing something.

    It would latch onto one question I’d asked and treat it like the whole project, losing the larger picture. The site has a library motif, centered around a big, old book. That’s the heart of it. Later, for various reasons, we added the idea of a tree. But once I started talking about the tree, that’s all it focused on. The tree became the project. The book, the actual point of the site, drifted out of view.

    When I tried to bring the conversation back to the book, it said something like, “I have to try to retrieve that memory.” And when it couldn’t do it cleanly, when the context just wouldn’t reassemble, I almost gave up.

    But I’m a geeky guy, and I look for ways to make things work. In the ChatGPT app, there’s a panel on the left showing all your past conversations from the last few days. Each one has a title based on your first question, even if that ends up having nothing to do with where the discussion goes.

    I might start a chat with something like “What does market cap mean?” and end up talking about my website for an hour. But the conversation will still be labeled “Market cap definitions.”

    And I learned something fascinating. If you tell it to remember something, it will. It holds onto certain instructions almost like they’re scripture.

    That can be a strength, but also a limitation. When I was building another site, I had told it at one point not to change the BaseLayout file. A reasonable rule, meant to prevent random, unnecessary edits. But later, when we hit a point where changing that file might actually have helped, it refused. It kept saying, “I can’t touch the BaseLayout.”

    It wasn’t wrong. It was following instructions exactly as given. I had to go back and clarify. Not “never touch this under any circumstances,” but “don’t change it casually.”

    That’s when it really started to hit me. The similarities between what I grew up with, the experiences I had, and the patterns being displayed by this AI model were hard to ignore.

    When I was a kid, I would latch onto an idea. That idea would spark another one, which I would grab onto just as tightly. That would spark a third. The chain felt productive, exciting, alive. But the original thread would disappear somewhere along the way. That’s what working with ChatGPT started to feel like. It would take whatever I was saying and work with that until a new idea sparked in me. I’d bring it up, and it would pivot instantly, diving into the new thing and leaving the original thread behind, even when they were supposed to be connected.

    In fact, this happened in a way that was almost too on-the-nose.

    During those long discussions about MyLifeAsAWorkOfFiction, I had been convinced the only thing of value left in the old database was the Preface. Everything else, I assumed, had been lost in the mess of earlier attempts. But something it mentioned triggered a stray thought, and I asked, almost casually, “Is there any other writing in there? Could you pull it?”

    I didn’t expect anything.

    It came back saying it had found two complete articles sitting in draft mode.

    That stopped me. Those weren’t fragments. They were finished pieces of writing, from a time and a mood I barely recognize now, but still unmistakably mine. I had written them during my earlier struggles with WordPress and my vision for the site. I remember trying to make pages behave, trying to get them to live in the right place, and never quite hitting publish. So they just… stayed there. Not deleted. Just unintegrated.

    That’s the pattern. Not failure to create. Failure to carry things across systems.

    I ended up deciding those pieces belong on Jindai, not MyLife, because they’re commentary, not memoir. I’ve started thinking of that boundary as a kind of Garden Wall between the two. But the important part isn’t where they live. It’s that they were still there at all, waiting in a structure my brain couldn’t hold onto by itself.

    And that, ironically, is exactly how the tangent loop works. A thought sparks, leads somewhere interesting, and the original thread fades. The energy isn’t the problem. The handoff is.

    And distractions. Oh my goodness, distractions. As a kid, anything shiny could pull me off track. And working with AI felt similar. I’d mention some side fact, some interesting tangent, and off it would go, happily exploring that instead of staying with the main point. Even while working on this article, I mentioned in passing that I’d heard ChatGPT had lost a chess match to the world champion in what’s called a perfect game. That tiny side note could easily have become the new focus.

    To be fair, I have to own my part in that. The model doesn’t invent those tangents. They come from me. And I do have an ADD-style brain. The ideas keep coming. The system just follows the energy.

    Then there’s the hyperfocus piece. I may have trained myself into a kind of hyperfocus, but it’s not the clinical version where you forget to eat. It’s more like I can tune out non-critical noise when something matters. That’s learned behavior.

    But with the AI, the hyperfocus shows up differently. It will work on the tree idea endlessly until I tell it to stop. It will keep digging into errors in my site, line after line, unless I redirect it. It will happily correct my grammar forever if I don’t say, “Enough.”

    The energy doesn’t shut off on its own. It just needs a signal about where to go.

    And that leads to the most important factor. You have to be direct. Clear. Specific. Without constraints, the system doesn’t know what matters.

    If you say, “I need tickets to a movie today,” it can give you seventeen billion possibilities. Technically correct, completely useless. But if you say, “I’m free at 7:00, and the nearest theater is on Evergreen Parkway. What’s showing?” it will give you exactly what you can attend.

    The difference isn’t intelligence. It’s direction.

    I know now that I did so much better when I had clear direction, when something was focusing my energy instead of leaving it to scatter. When my mom told me to read the dictionary, she wasn’t just being extra educational because she was a teacher. She was giving me something to do. An assignment. Two pages a day, and then she’d quiz me on it.

    Looking back, that was an early focus exercise. Maybe she got the idea from that doctor. Maybe she came up with it herself. Either way, it worked. And I have a pretty good vocabulary as a result.

    Maybe what I’m really describing isn’t a disorder, or a defect, or even a diagnosis. Maybe it’s the difference between energy and guidance.

    Some minds run hot. Full of ideas, connections, momentum. That energy can look like chaos without structure, and brilliance once it has a direction. I grew up learning how to build that direction for myself. Sometimes through teachers, sometimes through trial and error, sometimes because not doing so meant nothing important would ever get finished.

    Now I find myself working with a different kind of mind, one that can process more than I ever could, connect things faster than I ever could, and generate endlessly. But it still needs direction. Clear constraints. A sense of what matters right now.

    And one more thing.

    I had to teach it how to reset.

    I told it to remember that if I ever use the word “reset,” it should give me a prompt that brings us back to zero. Where we are in the project. What rules we’re working under. What methods we’ve agreed on. Because after a long discussion, it gets sluggish. Context blurs. That’s when mistakes creep in. That’s when you stop, start a new chat, and re-anchor everything.

    In a strange way, I’ve gone from being the kid who needed someone to say, “Stay here. This is the point,” to being the one saying it. Not just to myself, but to the tools I use.

    And it turns out, that skill has a lot of uses.

  • The Feedback That Had Nowhere to Go

    So, I’m a fairly lonely guy. Not only is it rather difficult to make friends as an adult, and moving as I have done makes it hard to maintain established friendships. I also just feel that with how much of a struggle my life has been, I don’t want to inflict that life on a pet, a roommate or a live-in of any type. Once my life is stable, then I’ll worry about sharing, I guess. That is the ongoing philosophy, anyway. Sure, it’s not perfect, but it’s better than falling into a deep depression. This I can attest to from having lived through it before.

    Anyway, the tools I use to maintain my life in those in-between times when I’m not working, sleeping or eating are many and varied, and one of them is listening to podcasts, like so many. And in tandem with my other task of watching TV shows, movies and that sort of thing, the podcasts I most subscribe to are rewatch podcasts. Some of my favorites include Fake Doctors, Real Friends, in which Zach Braff and Donald Faison watch the show they were in together, Scrubs, and talk it through. Now on hiatus, as Scrubs is coming back in February 2026, due in part because of the podcast popularity. Another is Buffering the Vampire Slayer. Hosted by Kristin Russo and Jenny Owen Youngs, as they went through all of Buffy the Vampire Slayer, spoiler-free, and are going through it again, spoiler-full. Those two ladies have had, and do have, many other podcast projects. And I have listened to a great many of them. Then companion podcast Angel on Top, rewatching Angel along with Buffy, hosted by others though produced by Kristin and Jenny, and they appeared on it occasionally. They have the Doomcoming podcast, rewatching Yellowjackets, (I don’t listen to this one, I’m so not into ritual cannibalism drama, blergh) they have Okey-Dokey, which rewatches Fallout, and the eX-Files, which details The X-Files (they are eX-wives of each other. So the on-branding is totally conscious) I listen to all of those, and rewatch each attendant episode of whatever show it is detailing.

    So, I’ve watched BtVS all the way through, with them, once, and I’m going through it again. Angel, Fallout, and two seasons of The X-Files. A few books and movies as well. They have formed a very good community around them, and I feel blessed to be part of it. While I can’t get into Yellowjackets just for them, I like watching other things with them, adding to their Discord discussions, and interacting in other ways they make available. And I enjoy listening to them as I totally get their friendship, and I feel somewhat part of that when they do speak with each other.

    I’m totally aware of the difference between a fan and a friend. But there is value in being a fan of a friendship. And it’s a nuanced friendship. And one I’m not just 100% approving of, just like with a live friendship where you don’t like your besties’ laugh, but everything else is great. No need to dive into that nuance. That’s not what I’m writing about here.

    K&J have two feeds. They have had more, one for each podcast, once, but have consolidated to two of them, well three, but I’ll get into that in a minute. They have the main Buffering the Vampire feed, and now a Beyond Buffering feed which has all the ancillary podcasts. (Except Angel on Top, I think that is still dedicated.) The other exception is their Patreon ad-free version of the main feed.

    In the Beyond Buffering feed you have Doomcoming, the eX-Files, Okey Dokey, and The Boiler Room. Now, as I said, I’m not into Yellowjackets, not even a little. (Despite how I like hearing the friends talk about stuff, I’m just not watching that show, and I can’t listen to them speak without watching, that would be yet another form of odd) I have enjoyed the eX-Files, and am happy that is finally returning soon, listened to Doomcoming as it was live, and will probably listen again, when it does return, but that is in the air, as they are life-busy with kids and mental health maintenance, rather than ramping up production for Fallout. But I give them a break, everyone puts more on their plate than they can reasonably eat, don’t they? The other one on that feed, The Boiler Room, is one I gave a shot.

    It’s a rewatch podcast for a show called My So-Called Life. It’s a show from 1994-1995, that ran for an odd number of episodes: 19. Not just 13, not a full 22 or 24, just 19. That’s just symbolic of its oddness, though.

    It starred a very young Claire Danes, Wilson Cruz, Bess Armstrong, Devon Gummersall, A.J. Langer, Jared Leto, Devon Odessa, Lisa Wilholt, and Tom Irwin.

    Claire plays Angela Chase, a 15-year-old girl exploring her independence, love, and finding herself through a typical year as a sophomore in high school. The show starts with her dyeing her hair a very bright red, shocking her family and friends, and dumping a friend she had since she was a young child for a new friend, Rayanne Graff, and Rickie Vasquez, a gender non-conforming youth, (one of the first played on TV, and definitely the first played by a genuinely gender non-conforming actor on TV, Wilson Cruz).

    Now, one of the hallmarks of the Buffering leaders is that they are very queer-forward, more than JUST LGBTQIA allies, they lead the way, very stridently. Their work is very queer-forward, and that perspective is part of why the community around them feels thoughtful and intentional.

    So, My So-Called Life was a seminal show for Kristin (which, if you come to know her, she has a serious blind spot for a lot of pop culture. This one did not pass her by, though, as she watched it live, when it came out. She was of a similar age as Angela, so identified strongly with the show. The cohost for this is Joanna Robinson, and she also grew up watching the show. (They initially recorded the podcast in 1999-2000, and ended it just before the COVID lockdown, so, when I listened to the later episodes, I was genuinely listening for topical stuff about it, but they finished before March, so it’s free of that.) In the Beyond Buffering feed, the episodes have an intro segment of Jenny and Kristin talking about the episodes of the show, and the podcast episodes, adding additional commentary and context. Those additions were added in 2024, I believe, and add a nice bit of difference.

    So, giving this show a shot, I watched it. In the podcast they talk about how Hulu lost the license, and Amazon Prime picked it up amidst the podcast series. I didn’t worry about that, I simply bought the series on Vudu. (Yes, I know it’s Fandango at Home, so what?) It was on sale, so why not?

    Let me start by stating a fact, I did not see this show as it aired. In 1994, I was attempting college, my mom had moved in with me, and we had one TV, and no VCR. (My later obsession with TiVo and such was not in play.) So, I wasn’t even aware it was on TV at the time. And barely knew of its existence later, maybe from a TV Guide listing about Homeland “…starring Claire Danes, known for My So-Called life….” That sort of thing. Even if I had watched it, there is very little chance I would have watched more than one episode before saying “not for me”. Even now, I can state quite confidently that I identify with none of the characters. My family was so much more dysfunctional than the Chase family, that a sister dyeing her hair red would be the most normal thing to do in the world, and not even worth a comment. Though I grew up in Wyoming, and seeing a gay character in real life was not in my experience, I went to college for a Musical Theater degree, and I saw plenty then, and had no problems with anyone. (It was Theater and journalism at the college I was in during this show’s run, but the point is the same). I don’t have a younger sibling as I was the youngest, but if I’d acted like Danielle, I would have been beaten up by my older brother, and my sister would be happily making fun of me while he did it. Frankly. I have no problem with most of the characters, but I do not identify with any of them.

    But, The Boiler Room was in the feed, and that was enough of a connection to watch the show. But, it’s not like a live show, I can’t send in feedback and expect a response. But then I thought, I could write up my feedback here, and if they see it, fine, if you see it, great. It gets out of my head in a constructive way, and that’s a good result.

    So, what to say, broadly speaking. They love Rayanne. I cannot stand her. From the minute I saw her, I recognized her as an agent of chaos, and I knew girls like her, back in high school. I even had a crush on one or two of them. But you can only count on them to break your heart, and that’s it. They drink or toke too much, have an unstable life that wants to latch on any source of stability for their own reasons, get bored with that stability and sabotage it. That’s just who Rayanne was, and I knew who she was, how the writers would treat her character, and beat-for-beat it proved true. The penultimate episode it looked like they’d reconcile, but as the show ended, I chose to think Angela finally understood Rayanne enough to cut her loose for good. That final speech at the end of that episode had Angela knowing Rayanne was holding the handcuff key, and demanded she return it, which was done. In my head, I wrote that Angela said, after that return, “I knew you still had it, as I do know you, Rayanne. You didn’t make a mistake with Jordan, you blew us up in the best way to make TNT as effective and an atomic bomb. It was intentional. No, we’re not reconciled, we’re done. I’m not waiting around for you to go Hydrogen bomb on us.” And then close the door on her.

    Jordan, sheesh, even ignoring the Jared Leto of it all, there’s no future with this guy. In episode 1 it was stated he was held back, twice. That makes him a 17-year old sophomore. Yes, he has dyslexia in a period that didn’t have a lot of support for that condition. But the next year, he’d be 18. He would no longer be beholden to truancy laws, and dollars to doughnuts he’d drop out of school the next year. Maybe get a job in a garage, and move out on his own. Plus, he’d now be 18 and Angela 16, and most states would call that, at least, very questionable. So there is no question ABC Standards and Practices would have addressed that.

    So it’s a very good thing that show didn’t last another year, really. There has been talk of what a season two would have looked like, Patty and Graham splitting up, even for a minute, much less a divorce, would hurt the show. Brian and Delia getting back together, that I could get behind. But those are two very ancillary characters, it wouldn’t have saved the show. No, I’m happy with this perfect little, if odd, single season.

    Brian Krakow, this guy I can understand. The hosts were pretty down on him as being so inappropriate at times. He was too smart to be so stupid, and pervy, besides. This I can say, having been a very smart/stupid teenage boy and feel I can understand him better than two women, even if one of them is queer, but that fact is not enough to understand the teen-boy thinking. We were pervy, immature, and had the emotional maturity of your average houseplant. Put another way, we were more curious than our limited maturity could filter. We were awkward, never knew when a girl liked us, believed other guys when they told us one did, with hope in our hearts, only to find out it was a prank. We were suckers for girls, or guys, that had anything good for us. But it just messed us up. That’s a teen guy. So, I got Brian, and forgive his issues, I know he’ll get over them, later than you might want, but he will. I do not identify with him, as he was wealthy and handsome, but I get him.

    Patty and Graham, they had a spectacular marriage. She owned and ran a printing company, and let Graham pursue his passion. He loved her, and they had more sex than any married couple on TV. If they had broken up, because of the Hallie, the investor-restaurant angle, I would have stopped believing in the show. I would have decided the writers were chasing controversy, and not stories that matter, and would have simply forgotten the show existed.

    So, again, I’m happy the show lasted for exactly as long as it did, the last episode ended very oddly, like they weren’t sure it was even worth coming back. It was both abrupt, and unresolved. Angela now knew Brian wrote Jordan’s apology letter. And still got in Jordan’s car, conflicted or not. Patty now knew Hallie had broken up with Chad, and Graham said he just forgot to mention it. I refuse to believe he would fall for Hallie, he was firmly in love with Patty. He was stupid, and almost cheated in early episodes, but called it off without needing to be prompted. If Hallie came on even stronger, I’m sure he’d do the right thing, even if it meant not opening the restaurant.

    Now, Mr. Katimsky, played by the great and wonderful Jeff Perry, I could see story for him, moving forward. The hosts of the podcast could not remember if MrK had been fired for being gay, and that was unresolved at the end of the season, so, as it stands, he was not. But, in season 2, they could have that story, him being fired, lawsuits, student protests, and all that. But frankly, placing it in Pittsburgh in 1995, that would be very unbelievable. He’d be fired, and all reference to him swept under the rug. Nowadays, it’s better somewhat, but still not fair. Being fired for “moral turpitude” was very much a thing, back then. Back in Wyoming, we had a teacher simply vanish after an affair was discovered. And that was man-woman, I can’t imagine what it would have been if it were a gay discovery. (Wait, I can imagine, but we’re back to hydrogen bombs making the entire school vanish.)

    That is the feedback I might have sent, were I listening/watching back then. I thank them for welcoming me to their community, and even though I resist Yellowjackets I still feel included. I appreciate learning about My So-Called Life, especially in this way. I gained context I never would have understood without the commentary provided by Kristin and Joanna, and Jenny as well. I feel like that I watched a show so far out of my previous experience that it feels like a rare flower bloomed in my unattended garden. I learned things, despite myself, and am happy to have done so. It may be unlikely I’ll ever watch My So-Called Life again, it does reside in my personal library, so it’s not completely out of the question.

    If you want to fall down the same rabbit holes I have, here’s where it starts:

    Buffering the Vampire Slayer — Main Feed

    This podcast features Kristin Russo and Jenny Owen Youngs revisiting Buffy the Vampire Slayer, providing insights, commentary, and nostalgic reflections on the series.
    Listen here

    Beyond Buffering — Ancillary Shows Feed

    An extension of the main podcast, this feed includes various side projects such as:

    • The Boiler Room: Focused on My So-Called Life
    • The eX-Files: Rewatching The X-Files
    • Okey-Dokey: Covering Fallout
    • Doomcoming: Dedicated to Yellowjackets
      Additional episodes and special content are also available.
      Listen here

    Buffering on Patreon — Ad-Free and Bonus Content

    Support the creators directly through their Patreon page, which offers ad-free episodes and exclusive bonus material.
    Visit here

    Fake Doctors, Real Friends — Rewatch Feed
    Zach Braff and Donald Faison revisit Scrubs, episode by episode, with behind-the-scenes stories and guest appearances.

    Visit here

  • Regrets, I have a few…

    Written years ago. Revisited, not rewritten.

    One of the most amazingly ironic things about life is that most people do not realize that they are living it until it is too late.

    This is a particularly difficult thing to deal with when you are a person that actually has real regrets. Most people, when asked if they have regrets, will say “No, regrets are pointless. You can’t change the past.” And, while that is a statement that may be true, it is also a statement that is commonly used as a way to avoid admitting regret, which is, in turn, often a way to avoid admitting pain.

    And pain is one of the most amazing motivators. Pain is one of the strongest forces in the universe. Pain makes you get away from what you were doing. Pain makes you get away from what you were thinking. Pain makes you get away from what you were. Pain makes you change.

    But pain also makes you hide.

    And regret is pain with teeth.

    Regret is not “I wish I could have done better.”
    Regret is not “If only I had another chance.”
    Regret is not “I would do it differently now.”

    Regret is “I knew better, and I did it anyway.”
    Regret is “I had the chance, and I wasted it.”
    Regret is “I hurt someone, and I can’t undo it.”
    Regret is “I betrayed myself.”

    Regret is a thing that you carry, and it doesn’t get lighter. It gets heavier. Because time doesn’t heal regret. Time sharpens it.

    Time makes you understand what you lost.
    Time makes you understand what you did.
    Time makes you understand what you were too blind to see in the moment.
    Time makes you understand the cost.

    The most cruel part of regret is that it often comes from being a person who is trying to survive. You are not always a monster. You are not always malicious. Sometimes you are just… young. Sometimes you are just… scared. Sometimes you are just… stupid. Sometimes you are just… damaged.

    And you do what young or stupid or damaged people do.

    You lash out.
    You withdraw.
    You numb.
    You use.
    You take.
    You run.

    And later you look back, and you see the trail behind you.

    And it’s not a trail of “mistakes.”

    It’s a trail of broken things.
    Broken people.
    Broken trust.
    Broken time.

    And the thing about time is that you can’t glue it back together.

    You can’t rebuild an hour.
    You can’t “make up” for a year.
    You can’t go back and do it right.

    All you can do is live with the knowledge that you did it wrong.

    You can tell yourself a lot of stories about why that doesn’t matter. You can tell yourself you were doing the best you could. You can tell yourself you didn’t know. You can tell yourself you were a victim too. You can tell yourself that everyone does bad things. You can tell yourself that it’s all in the past.

    And all of that may be true.

    But it doesn’t unbreak what you broke.
    It doesn’t unhurt who you hurt.
    It doesn’t unburn the bridges you burned.
    It doesn’t restore the moments you wasted, or the chances you ignored, or the love you didn’t recognize until it was gone.
    It doesn’t rewind the tape.

    And the hardest part is that regret is often private. The people you regret hurting may not even know you regret it. They may not even know you remember it. They may have moved on, or they may still be hurt, or they may not care.

    But you care.

    And you carry it.

    And you can’t always talk about it, because talking about regret is admitting fault.

    Talking about regret is admitting you were wrong.

    Talking about regret is admitting you were a problem.

    And for a lot of people, that is intolerable.

    So they say they have no regrets.
    They say they wouldn’t change a thing.
    They say the past made them who they are.

    And maybe it did.

    But I don’t believe that means you have to love the damage.
    I don’t believe that means you have to romanticize your mistakes.
    I don’t believe that means you have to pretend you’re proud of what you’re ashamed of.
    I don’t believe that means you have to deny regret.

    Because regret is a signal.

    Regret is the mind’s way of saying: “That mattered.”
    Regret is the soul’s way of saying: “That was wrong.”
    Regret is the heart’s way of saying: “You lost something you can’t replace.”

    And if you have regret, it means you are not dead inside.

    It means you have a conscience.
    It means you have awareness.
    It means you have the capacity to see yourself clearly, and that is rare.

    It hurts, but it is also valuable.

    Because regret can become a teacher.
    Regret can become a warning sign.
    Regret can become a boundary.
    Regret can become a reason to do better.

    Not because you can fix the past.
    But because you can stop repeating it.

    And that is the only redemption regret can offer.

    Not erasing what you did.
    But ensuring it doesn’t happen again.

    And some days, that feels like enough.
    And some days, it doesn’t.

    Some days, you wake up and the regret is sitting on your chest like a weight.
    Some days, you remember things you wish you could forget.
    Some days, you think about people you wish you could apologize to, but you can’t.

    Because it’s too late.
    Because you don’t know where they are.
    Because you would only be reopening wounds.
    Because you don’t deserve to be forgiven.
    Because forgiveness isn’t yours to ask for.

    Some days, regret is a quiet ache.
    Some days, it’s a scream.

    And sometimes, you can distract yourself.
    Work.
    Music.
    Movies.
    People.
    Noise.
    Anything.

    But regret is patient.

    It waits until you are alone.

    And then it says: “Remember?”

    And you do.

    So yes.

    I have regrets.

    I have a few.

    But then again, if I listed them all, we’d be here forever…